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 Music Theory Through Improvisation A New Approach to Musicianship Training

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PostSubject: Music Theory Through Improvisation A New Approach to Musicianship Training   Music Theory Through Improvisation A New Approach to Musicianship Training EmptyWed Feb 17, 2016 3:07 am

Music Theory Through Improvisation A New Approach to Musicianship Training 3ef214d8d4c02e49df2747354f5cc01b

Ed Sarath, "Music Theory Through Improvisation: A New Approach to Musicianship Training"
English | 2009 | ISBN-10: 0415997259, 0415804531 | 392 pages | PDF | 4 MB

Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author's entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources.








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